Georgia Carne

Say hello to Kokomo Breeze - A deliciously bold and nonchalant casual marker font.

Kokomo Breeze was designed to keep a naturally handwritten marker-style look , while still maintaining some subtle inky marker imperfections on its edges , to keep in line with a more realistic, yet very legible look.

Great for headlines, bold branding, classy packaging, eye-catching callouts and stand-out advertising, Kokomo Breeze is designed to be your jack of many trades.

Be sure to turn on your OpenType features when type with Kokomo Breeze - it’s packed with natural-looking ligatures and alternate characters for both upper and lower case - all of these opentype extras make your type design look mush less mechanical, and much more like naturally formed words as you type.

Pair it with a bold tall sans serif font, or a classy serif to add another whole new dimension to this very versatile marker font.

Great as large and small sizes, Kokomo Breeze is perfect for any size design.

Vallely is a classic art-deco-ish serif that are inspired by the old typography/letterings used in packaging labels and advertisements. This font is loaded with 350+ glyphs, packed with lots of alternate characters, gives you various letter combinations to play with. If you're a fan of classic and art-decoish typography, make sure you add this font to your design toolbox.

Available in ten styles -OC Rey is a modern Didone font featuring true italics and signature ligatures that can take designs to another level.

Classical in character it is drawn with thick vertical stems and fine horizontal lines, a contrast which starts gradually at the lightest weight, building abruptly to the thick stems of bold. The forms are even in proportion and structure with a vertical stress giving a proud, upright stance and an air of distinction. The beauty of the high-end uppercase excels in elegant headlines perfect for the arena of art and fashion, while the high x-height, large eyes and apertures and distinctive open counters make it perfect for readable copy.

With a traditional appearance and a refined elegance, it’s reverent but also breaks from convention with distinguished characteristics that suggest heritage in a modern context. Traditionally round features are replaced with sharp corners, noticeably in the square tittles and the absence of heavy soft ball terminals giving it a unique presence. The weight of the unbracketed serifs is deliberately less extreme than some Didone hairlines, meaning it’s beauty doesn’t disintegrate when small or reversed, making for excellent versatility.

-OC Rey is designed with extensive language support and with multiple open type features.

Eurocine is an expansive display typeface – a square sans serif that’s perfect for titling, headlines, logotype and branding. This 36-font family is packed with features to make it supremely versatile.

This typeface attempts to capture the mood of movie credits from European Cinema in the 1970s, with a focus on Giallo films in particular. In terms of style, Eurocine sits somewhere between Walter Baum and Konrad Friedrich Bauer’s Folio, and Aldo Novarese’s Eurostile. With Eurocine you get a more versatile typeface by way of its small caps and additional stylistic sets giving you extended caps, extended small caps, and petite caps, as well as upper and lowercase unicase. Creating typographic masterpieces of your own will be so much easier!

Key features:
• 6 Weights in Roman and Oblique
• 3 Widths – Narrow, Regular, Wide
• Extended Caps
• Small Caps
• Extended Small Caps
• Petite Caps
• Unicase
• Old Style Figures
• European Language Support (Latin)
• 1,200 glyphs per font.

Velour Raw is a simpler, less contrasted version of the display typeface Velour. Velour Raw is legible suitable for text in smaller sizes.

Velour Raw is available in 6 weights, from Thin to Bold, and supports Western, Central and South Eastern European languages.

Rough monospace type with cowboy boots: Here is Justice! Initially designed in 2004, Justice has been totally rethought in 2017 for the visual identity of Ceinturama. For this new version the fixed-width principle has been used to turn this typeface into a kind of construction game. A series of decorative accessories (systems of borders, arrows and ornaments) have been developed in order to make typesetting more playful.
Designed from the outset to be as comfortable on screen, on paper as on wall, Justice has aesthetic qualities suitable for handmade signage. It’s your turn to play!

Please find the PDF type specimen/manual over there.

Futo Sans family is a modern & soft sans-serif family has 8 weights upright with matching italics. Its corners and shape give a soft feeling but straight strokes and solid structure make it strong. Each font includes opentype features such as Proportional Figures, Tabular Figures, Numerator, Superscript, Subscript, Case-Sensitive, Denominators, Scientific Inferiors, Ordinals, Ligatures and Fractions.

Worthington Arcade is a classically-proportioned capitals-only type incorporating a selection of ligatures and alternates.

It loosely resembles the hand-painted architectural lettering of the 30s to the 50s, exemplified by the likes of Percy Smith’s interior signage for the BBC or George Mansell’s lettering for the University of London and the signs found on London’s bridges. However, rather than a slavish copy of any historical model, it is more an examination and evocation of certain idiosyncratic quirks of civic lettering of the period, and an attempt to create a peculiarly English titling typeface.

The round letters, for example the O, Q and C, are wider than the perfect circle usually found in such designs, while the straight-sided characters, usually drawn on a square, are narrower. This lends the whole a subtle elegance that is also emphasized by the raised crossbars on the H, E and F and extended lower leg of the E.

Includes old-style numerals.