Georgia Carne

Absolute Beauty is a happy family of a smooth casual monoline signature script and a high contrast elegant didone serif.

The signature script comes in three weights to cover as much design needs as possible - from websites to brand design, from magazines to billboards. It compliments from OpenType features such as ligatures, swashes, stylistic and contextual alternates, and is fully unicode mapped.

Absolute Beauty serif is an ideal partner for the script: it features the same elegance and comes in two weights.

Introducing the Amoret Collection; A stunning pair of luxury script and sans fonts, designed to contrast & compliment each other with elegant beauty and contemporary style. Design luxurious logos, branding, product packaging, wedding invites and quotes in a flash.

Here’s what’s included;

Amoret Sans • A classy, high contrast sans font containing uppercase characters only, numerals and a large range of punctuation. Creates a perfect pairing contrast with the Amoret Script fonts.

Amoret Script • A thin and elegant script font with exaggerated strokes and a loose flow. Contains upper & lowercase characters, numerals and a large range of punctuation.

Amoret Script Alt • This is a second version of Amoret Script, with a completely new set of upper & lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Amoret Script Alt also contains 4 swashes assigned to the [ ] { } keys.

Fonts include multilingual support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Grava is Neil Summerour’s injection of warmth within the geometric sans font category. Historically, geometric sans families have been based on primal shapes — triangle, circle, square — and the more closely they held to those rigid rules, the more internal inconsistencies they showed. Angles won’t match up correctly, letters will lean, overshoots complicate clean typesetting, and idealized circles become grotesque and unwieldy in some weights. Because of issues like these, geometric sans fonts have a reputation of being cold, austere, even a bit “off”. Grava was made to hold a T-square and triangle in one hand while giving a welcoming handshake with the other.

The Grava font family comes in two styles (a normal and a Display), each with 20 weights (Thin to Ultra) and paired with italics. Its design allowed the three scripts of Latin, Cyrillic, and Greek to emerge seamlessly, ensuring Grava will find its home in multilingual publications. Even better, each character in the three scripts is spaced with every other character for a beautifully matched fit, and it’s a buy-one-get-all-three deal since they are all packaged together. The normal style’s large x-height won’t let you down in paragraphs, headings, and any call-out text. And have you seen the angles on those numerals? Pairing Grava’s numerals on a jersey is sure to catch some eyes, just sayin'.

Grava Display is purposefully quirky and sharp, and made for poster sizes, book and album covers, and those websites with a well-defined character — somewhere between playfully self-aware and overtly vintage. Flat edges are abandoned to make way for sharp points and conspicuousness, for geometrical attitude and respectful expressiveness. Corporate reports use Grava Display to take on a professional and current look. The optional ligatures (N–T, L–L, G–A, C–O, almost anywhere an ‘A’ is placed, and more) in both the normal and Display styles invoke a midcentury modernist and high art feel. Now that introductions are done, you can let go of Grava’s hand and put it to work for you.

Inspired by the graphic spirit of old packaging and store signs of Portugal, this font seeks to transmit the warm and sunny sound of Portuguese language in a visual way.
Portuguesa has 3 partners, designed to work nicely together and to complement one with each other.
Portuguesa Script, with friendly and rhythmic personality, great for titles and short text, Portuguesa Caps, with small caps and ligatures that perfectly match (and contrast) with the script version. And Portuguesa Icons, that recalls the legendary blue tiles. This last version was specially designed to mix signs up with delightful combinations for creating patterns, borders, stationary, tableware and all kind of commercial products and projects that needs a memorable strike. The possibilities are numberless.
As a mantra, Portuguesa is always in a positive mood, spreading the “Portuguese art of welcoming people”.

Seja Bem-Vindo!

Squick - A Typography Sans, Dinamica with many alternatives from weights (Thin, Light, Normal, Regular, Medium, Bold, Extrabold, Black, Dense) Ligatures, Dingbat, Shadow, special for Children titles-Youth.

Monarda™ is Terrance Weinzierl’s take on the loud and splashy brush scripts of the 1950s. It’s energetic, playful, and equally at home in hardcopy headlines as it is in interactive banners. In addition to the basic alphabet, OpenType® fonts of Monarda are also awash in super-sized swash caps, contextual alternate characters and ligatures. Pair Monarda with a mid-century structural sans like Trade Gothic® or a sturdy slab serif like Egyptian Slate™ to create typographic counterpoint that’s confident, compelling and memorable!

Named for a riotous bright red flower that attracts butterflies and humming birds, Monarda is a rare combination of flamboyance and effortless beauty. Weinzierl describes it as “casual yet precise: a stiff denim jacket or perfectly white sneakers at a formal event.” Monarda clearly stands out – and always fits in. Well, almost always. Drawn for print, the design’s robust x-height, open counters and wide apertures also make Monarda screen-friendly. Monarda can be perfect for a wide variety of food and lifestyle applications as well as travel, stationery and packaging projects. Advertising campaigns and product branding are also well within its reach.

Monarda works best when used large – but economically. Two or three words are its sweet spot. Think: product name, print headline or the lettering on the side of a truck. It could easily become your go-to design for projects that call for a script with a bright personality and fearless demeanor.

The excellence of Weinzierl’s work has been recognized by the Type Directors Club and Print Magazine. When not working on creating new typefaces, he augments his professional practice through calligraphy, lettering, and letterpress printing. Monarda is another winner from Weinzierl’s creative mind and talented hand.

Marwa is An Arabic typeface for Print And screen.
This font family is from Kufi style and contains 3 weights: Regular, Medium and bold. Marwa is simple and a little detailed font and its three weights are fully harmonized, one letter with one length on the line, and words with a uniform length on the line, gives a comfortable reading look.

Qualion Text™ is a modern geometric sans serif typeface with humanist and calligraphic inspirations. It is a text family designed for excellent legibility.

Qualion Text™ is a sibling of Qualion™, geometric family with lots of swashes and ornaments. Letter shapes and proportions has been adjusted to fit paragraph text and small sizes:
- typeface is narrower now in order to fit more text in the design space
- larger stroke contrast
- pronounced ink traps and tapering
- elegant true italics made even more calligraphic
- adjusted spacing and kerning
- adjusted font weights

The main purpose of the family is clean and legible paragraph text, however it is very attractive choice for branding, headlines and display use, too. The italic styles as well as thin, bold and black upright styles have very strong character and look great in display sizes. Italics are very fluent, calligraphic, subtle and elegant, from the other side bold and black uprigths are very modern, powerful and unique thanks to the pronounced ink traps.

Qualion Text™ family consists of 20 styles - 10 weights with corresponding true italics. Both have extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, swashes, stylistic sets, contextual alternates, lining, oldstyle, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Sultan Ruqah is a attracting font, Designed by Sultan Maqtari. This is one font of the Sultan Fonts families that supports a variety of scripts including Arabic, Persian, Urdu, Uthmani, and Kurdish.

The Sultan Ruqah has its own family with 8 unique fonts varying in weights and width. All characters, punctuation and styling have all been improved keeping in mind the required feel and beauty of the font for a wide corporate use, The 8 fonts include lots of styles.

Winter Is Coming is a new playful font family which is inspired by hand lettering at the winter season in 1950-1960. Winter is coming contains 5 font styles that use open type features such as stylistic alternate, stylistic set, contextual alternate, ornaments and ligatures. This package also contains a bonus graphic to help you make winter design more stunning!

Winter is Coming best uses for headings, invitation, Logo type, quotes, apparel design, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc

Although Milas Typeface Family is designed upon the old style geometric – based characters, particular importance is given to text flow and optical perception in its practical use. Hence, there is no strict adherence to any set measures or styles.
It alludes to calligraphic horizontal and vertical intersection points. Calligraphic features in joints and arches are stylized.
Milas is a “body text” font especially suitable for periodicals such as newspapers and magazines as well as books. Different angles, sharp–organic features and serifs used in its letter anatomy enable the reader to perceive individual letters effectively and maintain a rapid flow in processing the text.

Milas has two styles as Text and Display, also has five weights. It contains rich opentype features. It is a suitable body and display typeface for book composing and periodicals like newspapers, magazines. Also Milas is an awarded typeface. It got 36th The Best Typeface Prize by GMK (Turkish Graphic Designers Association) in 2017 Exhibition/Competition. But Milas got the award with “Olba” name. After that its name had changed because of the name similarity. And here it is: Milas.

"Beauty Club is a modern font collection that includes four serif weights, a thin signature brush script and free marketing words.

Beauty Club Brush is a hand-painted script that includes 7 ligatures and 26 alternates. The brush script works great paired with the serif fonts.

Try the Beauty Club free font for beauty marketing and social media. It’s a great font for promoting your beauty brands.

Fonts and posters designed by Cindy Kinash. See font details below.

VERSIONS:
American (US) and Extended Latin Pro (Standard)

FREE WORDS FEATURES:
57 free words useful for beauty marketing and social media promoting.
Keyword examples include beauty, makeup, free, love and sale.
Intended use for: beauty, fashion, apparel, marketing, music, social media, websites, magazines, sales, film and packaging.

BRUSH SCRIPT AMERICAN (US)
Shorter version
Thin hand-painted brush script
7 ligatures and 26 alternates
OpenType
Includes the common alphabet, numbers, American symbols and punctuation.

BRUSH SCRIPT EXTENDED LATIN PRO (Standard)
Extended version of the American (US) version.
Thin hand-painted brush script
7 ligatures and 26 alternates
OpenType
Includes Latin Pro characters for Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Feroese, Finnish Scots, French, Gaelic, Galician, German, Greek Transliterated, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Maltese, Nynorsk Bokmal Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh.

SERIF AMERICAN (US)
Shorter version
OpenType
Includes the common alphabet, numbers, American symbols and punctuation.

SERIF EXTENDED LATIN PRO (Standard)
Extended version of the American (US) version.
OpenType
Includes Latin Pro characters for Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Feroese, Finnish Scots, French, Gaelic, Galician, German, Greek Transliterated, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Maltese, Nynorsk Bokmal Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh.

TIPS:
Try the OpenType brush script alternates/ligatures by turning on the feature in your preferred program that supports ligatures.

DISPLAY- Pair the Beauty Club brush script with the serif fonts as large headline text for optimization.

FONT USE- Use Beauty Club for beauty, fashion, apparel, marketing, music, social media, websites, magazines, sales, film and packaging."

Circe Slab is a slab version of the popular geometric sans serif Circe. It contains variations in weight and contrast, including three regular styles that range from non-contrasting geometric to almost typical book serif contrast ones. In addition, all text styles have narrowed versions. The character set of the font includes small caps, minuscule figures and a wide variety of alternative capitals and small caps. Regular styles of Circe Slab are suitable for long texts and the light and bold ones for headlines. The font was designed by Alexandra Korolkova with the assistance of Oleksa Volochay and released by Paratype in 2018.